However, as with Johann Gottfried von Herder and Arnold Joseph Toynbee, Spengler remains one of the premier historians and a point of reference, since many of his predictions have turned out to be prescient.
In Chapter X: "Faustian and apollinian nature-knowledge" from The Decline of the West (the abridged version), Spengler directs his attention to the conceptualization of science in particular cultures/civilizations, being that all cultures/civilizations are living organism that are born, rise, decline, and then dissipate. I find this knowledge useful when we consider the crisis in cosmology that is currently taking place, and the reliance on authority from the establishment science over the investigation of empirical evidence that counters the status quo of the establishment [emphasis mine]:
~ Spengler, Oswald, [Helps, Arthur]. (1991). The Decline of the West [Abridged, Translator, Charles Francis Atkinson]. New York: Oxford University Press. pp. 190-191.Each Culture has made its own set of images of physical processes, which are true only for itself and only while it is itself alive. The “Nature” of Classical man found its highest artistic emblem in the nude statue, and out of it logically there grew up a static of bodies, a physics of the near. The Arabian Culture can be symbolized by the arabesque and the cavern-vaulting of the mosque, and out of this world-feeling there issued Alchemy with its ideas of mysterious substance like the “philosophical mercury,” which is neither a material nor a property but by magic can transmute one metal into another. And the outcome of Faustian man’s Nature idea was a dynamic of unlimited span, a physics of distant. To the Classical therefore belong the conceptions of matter and form, to the Arabian (quite Spinozistically) the idea of substances with visible or secret attributes, and to the Faustian the idea of force and mass.
~ Spengler, Oswald, [Helps, Arthur]. (1991). The Decline of the West [Abridged, Translator, Charles Francis Atkinson]. New York: Oxford University Press. pp. 210-212. [/i]The force-dogma is the one and only theme of Faustian physics. There is no Western statics – that is, no interpretation of mechanical facts that is natural to the Western spirit bases itself on the ideas of form and substance, or even, for that matter, on the ideas of space and mass otherwise than in connexion with those of time and force. The reader can test this in any department that he pleases.
The Late Renaissance imagined that it had revived the Archimedean physics just as it believed that it was continuing the Classical sculpture. Even Galileo was still under the influence of the Renaissance feeling. He therefore limited the idea of force to contact-force (impact) and his formulation did not go beyond conservation of momentum (quantity of motion). He held fast to mere “moved-ness” and fought shy of any emphasis on space, and it was left to Leibniz to develop – first in the course of controversy and then positively by the application of his mathematics discoveries – the idea of genuine free and directional forces (living force, activum thema). The notion of conservation of momentum then gave way to that of conservation of living forces, as quantitative number gave way to functional number. Newton it was who first got completely away from Renaissance feeling and formed the notion of distant forces, the attraction and repulsion of bodies across space itself. Distance is already in itself is a force. The very idea of it is so free from all sense-perceptible content that Newton himself felt uncomfortable with it – in fact mastered him and not he it. To this day no one has produced an adequate definition of these forces-at-a-distance. No one has ever yet understood what centrifugal force really is. Is the force of the earth rotating on its axis the cause of this motion or vice versa? Or are the two identical?
This symbolic difficulty of modern mechanics is in no way removed by the potential theory that was founded by Faraday when the centre of gravity of physical thought had passed from the dynamics of matter to the electro-dynamics of the aether. The famous experimenter, who was a visionary through and through – alone amongst the modern masters of physics he was not a mathematician – observed in 1846: “I assume nothing to be true in any part of space (whether this be empty as is commonly said, or filled with matter) except forces and the lines in which they are exercised.” Here Faraday is metaphysically at one with Newton, whose forces-at-a-distance point to a mythic background that the devout physicist declined to examine. The possible alternative way of reaching an unequivocal definition of force – viz., that which starts from World and not God, from the object and not the subject of natural motion-state – was leading at the very same time to the formulation of the concept of Energy. Now, this concept represents, as distinct from that of force, a quantum of directedness and not a direction, and is in so far akin to Leibniz’s conception of “living force” unalterable in quantity. It will not escape notice that essential features of the mass-concept have been taken over here; indeed, even the bizarre notion of an atomic structure of energy has been seriously discussed.
~ Spengler, Oswald, [Helps, Arthur]. (1991). The Decline of the West [Abridged, Translator, Charles Francis Atkinson]. New York: Oxford University Press. pp. 212-213. [/i]This rearrangement of the basic words has not, however, altered the feeling that a world-force with its substratum does exist. The motion-problem is as insoluble as ever. All that has happened on the way from Newton to Faraday – of from Berkeley to Mill – is that the religious deed-idea has been replaced by the irreligious work-idea. In the Nature-picture of modern physics Nature is doing work; for every “process” within the meaning of the First Law of Thermodynamics is or should measurable by the expenditure of energy to which a quantity of work corresponds in the form of “bound energy.”
Naturally, therefore, we find the decisive discovery of J. R. Mayer coinciding in time with the birth of the Socialist theory. Even economic systems wield the same concepts; the value-problem has been in relation with quantity of work ever since Adam Smith, who vis-a-vis Quesney and Turgot marks the change from an organic to a mechanical structure of the economists which correspond exactly to the physical proposition of conservation of energy, entropy and least action.
If, then, we review the successive stages through which the central idea of force has passed since its birth in the Baroque, and its intimate relations with the form-worlds of the great arts and of mathematics, we find that (1) in the seventeenth century (Galileo, Newton, Leibniz) it is pictorially formed and in unison with the great art oil-painting that died out about 1630; (2) in the eighteenth century (the “classical” mechanics of Laplace and Lagrange) it acquires the abstract character of the fugue-style and is in unison with Bach; and (3) with the Culture at its end and the civilized intelligence victorious over the spiritual, it appears in the domain of pure analysis, and in particular in the theory of functions of several complex variables, without which it is, in its most modern form, scarcely understandable.
The Limits of Further Theoretical – Not Technical – Development
But with this, it cannot be denied, Western physics is drawing near to the limit of its possibilities. At bottom, its mission as a historical phenomenon has been to transform the Faustian Nature-feeling into an intellectual knowledge, the faith-forms of springtime into the machine-forms of exact science. And, through for the time being it will continue to quarry more and more practical and even “purely theoretical” results, results as such, whatever their kind, belong to the superficial history of a science. To its deeps belong only the history of its symbolism and its style, and it is almost too evident to be worth the saying that in those deeps the essence and nucleus of our science is in rapid disintegration.