altonhare wrote: Could you give us a reference Val? How can we pick up something with a frequency of one/16.5 million years?
thesis...what will 440 Hertz attract on a Cosmic level?
My attitude?Plasmatic wrote:
It is not my resposibility to educate you . Perhaps a change in attitude would make ones request more likely to be answered.
, hahaha, can do to the bubbles of illusion that surround me. Whether it is a black hole or a chain or a string or the crack of the whip (which is caused by the sound barrier being broken), whatever IT is, there are 3, count em' 3 entities.But the voice of the black hole could never be heard by the human ear because there are 10 million years between each of the sound waves, "clearly not within human experience," said Fabian.
"We've known that a black hole can give off energy as light and heat and now we are seeing a third way -- sound," said Margon.
http://www.chron.com/disp/story.mpl/space/2090936.html
In the immortal words of Mel Brooks: 'Those Romans are nuts; n.v.t.s. - nuts'.I was dumbfounded for quite a while before I managed to inquire, "What sound do I hear, so magnificent, so sweet, which fills my ears?"
"That is the music of the spheres," he answered. "The spheres create this music by their own motion as they move. The intervals between the spheres, though they differ in length, are all measured according to a fixed scheme of proportions; this arrangement of proportions produces a harmony of high and low notes. Did you believe that these motions could take place in silence? Rather, nature has ordained that these spheres give forth music, the highest spheres singing high sounds, the lowest singing deep and low sounds. The spheres containing the uppermost stars are the regions where the motions are fastest, and so they give off high sounds; the Moon, on the other hand, lies beneath the others and moves very slowly, and so gives off the lowest note. The ninth sphere, the earth, since it does not move at all, is motionless and silent. But the other eight spheres produce seven notes, each corresponding to one of the notes on the scale. You may wonder why they don't give off eight sounds; this is because two of the spheres move at identical speeds. So the spheres give off seven notes, the number fundamental to all existing things. Some people have imitated these musical effects with their instruments and their voices, giving themselves the possibility of returning to this place. Others have the same chance as well if they devote themselves to heavenly activities while living on earth. You should realize that human ears are constantly filled with this music, but they have made themselves completely deaf to it. No other human sense is as weak as this. A similar thing occurs where the Nile rushes down from a mountain to Catadupa; the noise is so loud that the people living nearby have become completely deaf. That's why this great music of the spheres, created by the whole universe, can't be heard by humans. It is similar to looking into the sun, which is so bright it will blind you entirely."
http://www.wsu.edu/~dee/ROME/SCIPIO.HTM
Thanks for the compliment.Grey Cloud wrote:Hi Valhalla,
I like the way your mind works.
Sounds like this might interest you:I was dumbfounded for quite a while before I managed to inquire, "What sound do I hear, so magnificent, so sweet, which fills my ears?"
"That is the music of the spheres," he answered.
I must begin by stating that I have known Ernest G. McClain personally for 13 years, and that I have been reading his books and papers for over 26 years. While I am clearly biased in my opinion of him and his work I feel, nevertheless, that my personal contact with him has given me a certain edge over those who may have read his books but who don't know him. His work delves into the lost connections between the musical/mathematical/cosmological theories of the ancient world and the philosophies of the ancient Greeks, the ancient Hebrews, the ancient Hindus, and the ancient Babylonians. In our modern world we use our highest technology to find a unified field "theory of everything". The ancients were no different, except that they used their highest technology to find a "theory of everything" that was based on musical tuning, an ancient sort of "string theory". Make no mistake. McClain's books can be hard to follow, but that's not surprising: his material has been out of date for 2500 years. The Dutch-Canadian musicologist Siemen Terpstra read The Myth of Invariance (MoI) from cover to cover three times before he felt that he understood it. I've found that the rewards can make it worth it. The Torah holds hidden insights, references, and bawdy jokes which Ernest has only recently, at age 87, brought to light. Read the MoI, read The Pythagorean Plato, then get on the Internet, Google BIBAL (sic), and read the works of Ernie's colleagues. You won't be disappointed, you'll be among the avant guard.
Anyone fascinated with Pythagoras, "The Music Of The Spheres", ancient musical scales, cosmic cycles, vibrations, etc., you've hit pay dirt with this book.
Re Inanna. This is a good example of how vibration is a better word than sound. Her descent is an alchemical process. She is altering the vibration of each of her 7 chakras. The Buddha is another example but going in the opposite direction. He opened his eighth chakra thus making the octave.The entire cosmos is a complex matrix of sound and light vibrations. Every element in our world and every kingdom of beings derives its essential nature from the keynote resonating as the basis of its consciousness. All primary questions concerning origins and destiny turn upon the rate of vibration, the plane of matter and state of consciousness, and corresponding conceptions of space, time and motion. Beyond the planes of manifestation and prior to the primal differentiation of spirit and matter lies the one invariant and all-potential vibration of the Paramatman, which through its radiation gives periodic form and substance to the septenary universe. Ultimately, this is a purely transcendental process entirely exempt from rational analysis. It is necessary to discard the false notion that each human being is somewhat like a machine or a self-contained box. As the universal vibration of the One Life is at the core of every living form, no being in the universe is entirely dependent upon any external source of motion. Owing to the transcendental commonality of consciousness, all beings are inevitably involved in a universal system of mutual interdependence."
Raghavan Iyer, "Resonance and Vibration"
interesting story kevin.kevin wrote:Valhalla,
A couple of years ago, a nine fold geometry crop circle...
kevin
Grey Cloud sounds indigenous/aboriginal?Grey Cloud wrote:
Always amazes me that the Egyptians used granite in their temples for its acoustic properties.
Sound travels ten times as fast through granite than atmosphere.
Ever wondered WHY?
Didn't now that either but am now also wondering why.The sloping tunnels in the pyramids are filled with different sand, than the close by desert, ever wondered WHY?
I'd heard of singing sand but had forgotten about it.Look up BARKING SAND.
I knew about the Solfeggio scale.Ever wondered WHY the musical scale was altered under the shadow of WAR?
Doh a deer, a female deer, far, a long long way to roam.
I marvel at the cathedrals full stop. I've read Fulcanelli's Mysteries of the Cathedrals. And you have a strange and wonderful talent my friend.Ever marvelled at the organs in the cathedrals, and the precise position they occupy, I do, and have a strange talent for checking such.
I wonder about these frequently.have you ever wondered about the carvings in the rosslyn chapel?
Left, by the templars, but who is to listen?
3, 6, 9?kevin wrote:Valallha,
if you check my thread about dowsing, you will find that I find NINE lines running parallel, arranged in three sets of threes, thats three(3) six(6) nine(9)
They cross other similer sets in sequence of angles of, 0,1,1,2,3,5,8,13,21,34,55,89 to infinity.
Theres only 144 that adds upto nine, so your back to 0.
Perhaps we are designed to reach 144?
Kevin, follower of fibonacci.
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